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Publications

主な単著・編著

毛利嘉孝『バンクシー:アート・テロリスト』光文社新書、2019年

毛利嘉孝編著『アフターミュージッキング:実践する音楽』東京藝術大学出版会、2017年

伊藤守+毛利嘉孝編著 『アフター・テレビジョン・スタディーズ』せりか書房、2014年

毛利嘉孝『増補 ポピュラー音楽と資本主義』せりか書房、2012年

毛利嘉孝『ストリートの思想:転換期としての1990年代』NHK出版、2009年

毛利嘉孝『はじめてのDiY:なんでもお金で買えると思うなよ』ブルース・インターアクションズ、2008年

毛利嘉孝『文化=政治:グローバリゼーション時代の空間の叛乱』月曜社、2003年

Essays (Selected)

(2021) Media in Japan, Routledge Handbook of Contemporary Japan, Hiroko Takeda and Mark Williams (Eds), 458-470

(2019) Lukewarm Nationalism: The 2020 Tokyo Olympics, Social Media and Affective Communities, International Journal of Japanese Sociology (IJJS), The Japanese Sociological Society, Wiley 28 26-44

(2018) Toward a New Media Theory, 5: Designing Media Ecology 7(2) 22-41

(2018) Affective Labor, Creative Life and the Condition of Cognitive Capitalism: Considering Creative Industries in Japan, Asia Review, Seoul National University Asia Center 7(2) 91-104

(2017) Le Séisme du 11 Mars et Les Médias, Sociaux, Japanorama,Centre Pompidou-Merz, France 20-25

(2016) Mobility and Place: the Multiplying of Alternative Spaces in Asia, 5: Designing Media Ecology 5 18-29

(2015) New Collectivism, Participation and Politics after the East Japan Great Earthquake, World Art, Routledge/Taylor & Francis 5(2) 167-186

(2014) Freedom of Expression and the Rise of Preventative Power, 5: Designing Media Ecology 2 22-37

(2014) J-Pop Goes the World: A New Global Fandom in the Age of Digital Media, Made in Japan: Studies in Popular Music, T. Mitsui (Ed), Routledge 211-223

(2011) The Pitfall Facing the Cool Japan Project: The Transnational Development of the Anime Industry Under the Condition of Post-Fordism, International Journal of Japanese Sociology (IJJS), The Japanese Sociological Society, Wiley 20 30-42

(2011) New Art and Culture in the Age of Freeter in Japan: On Young Part Time Workers and the Ideology of Creativity, Kontur, Arhus Univesity, Denmark 20 48-53

(2009) J-pop: from the Ideology of Creativity to DiY Music Culture, Inter-Asia Cultural Studies, Routledge 10(4) 474-488

(2009) Reconsidering Hybridity: Transnational Exchanges of Popular Music in-between Korea and Japan, What a Difference a Region Makes: Cultural Studies and Cultural Industries in Northeast Asia, C. Berry, J. Mackintosh and N. Liscutin (eds.), Hong Kong University Press 213-230

(2008) Winter Sonata and Cultural Practices of Active Fans in Japan: Considering Middle-Aged Women as Cultural Agents, East Asian Pop Culture: Analysing the Korean Wave, B. Chua and K. Iwabuchi, Hong Kong University Press 127-141

See more in my publication list here: https://researchmap.jp/yoshitakamori/

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